(This is not the full learning environment that students experience)
For a full list of lessons, click the icons below:
List of Lessons
The list below is an abbreviated overview of the content covered in each week. There are additional Practice, Ear Training and Quiz blocks, applying the material learned.
(Total Running Time: 117 minutes)
- Introducing the Instrument
- Visualizing the Keyboard
- Posture and Body Control
- Finger Control
- Navigating the Keyboard
- Half Steps and Whole Steps
- The Major Scale
- Triads Inside the Major Scale
- The Character of Major and Minor Triads
- Hearing Major and Minor Triads
- Rhythmic Playing: The First Steps
- Rhythmic Chords Exercise
- Playing Melodies and Chords Together
- Understanding Song Structures
- The Song We’re Learning (Mad World)
- Playing the Verse and Using the Sustain Pedal
- Playing the Pre-Chorus and Chorus
- The Principles of Practicing
- Performing Mad World
(Total Running Time: 8 hrs & 51 min)
- Introduction to Solfege
- Solfege Applied on the Piano
- Note Relationships Inside the Major Scale
- Using Our Ear in Music – Hearing the Degrees of the Major Scale
- Fingering Technique Exercise #1
- Complementary Intervals
- Thinking with the Number System
- Chord Inversions & Positions
- Number System Quiz
- Voice Leading
- Creating Rhythmic Textures
- What is Improvisation?
- The Pentatonic Scale – Lesson #1
- Tips for Improvisation
- Improvising with the Black Keys
- The Pentatonic Scale – Lesson #2
- C Pentatonic Scale (4-note Pattern)
- Improvising with the C Pentatonic Scale
- Improvising with the Major Scale
- Basic Rhythmic Elements
- Hearing Basic Rhythmic Elements
- Different Meters and Subdivisions
- Articulations
- Playing in Different Meters and Subdivisions
- Understanding Different Keys
- The Circle of Fifths
- The Key of G
- The Key of D
- The Key of A
- How to (and how not to) Transpose Music
- Adding New Keys & Colors
- The Key of E
- The Key of B
- More Colorful Harmonic Comping
- Controlling Chord Inversions
- Our First 3 Flat Keys & Visualizing Every Key
- The Grips for Every Key
- The Key of F
- The Key of Bb
- The Key of Eb
- Developing Finger Movement
- Our 3 Final Keys
- The Key of Ab
- The Key of Db
- The Key of Gb
- Every Chord in Every Key
- sus2 and sus4 chords
- Using “sus” Chords
- add9 and add11 Chords
- Creative Comping Using sus2, sus4, add9, add11
- Riffs and Licks
- Fluid Chord Connections
- Basics of Sound Design
- Versatile Keyboard Playing
- The Pentatonic Scale from Every Root Note
- Introducing Different Instruments with Keyboards
- Typical Sounds & Function of Modern Keyboards
- The Basics About Using Synthesizers
- Synthesizer Playing Techniques
- Reverb & Delay Effects
- Keyboard Sounds Applied in Music Production
- Prologue for the Arrangement (Intro to Swing Feel)
- Arrangement With Multiple Keyboard Sounds – Part 1 (Chorus)
- Arrangement With Multiple Keyboard Sounds – Part 2 (Verse)
- Arrangement With Multiple Keyboard Sounds – Part 3 (Pre-Chorus)
- Summary of the Whole Arrangement
- Refine Your Efficiency
- Minor, Diminished and Augmented Intervals
- All Intervals (from the same root note)
- Developing Chord Gripping Techniques
- Comping a Chord Progression
- Refining our melodic approaches
- Finger Control
- Pentatonic Scales from Every Root Note (Level 2)
- Using the Pitch Bend Wheel
- Soloing With Synth Lead
(Total Running Time: 9 hrs & 7 min)
- An Overview of Chord Types
- Ear Training Review: Hearing Triads
- Building on the Major System
- Navigational Challenge
- Pentatonic Scales (Refresher)
- A Collection of Licks
- Putting It All Together
- Extending our Arsenal with New Chord Types
- Constructing Seventh Chords
- Inversions of Seventh Chords
- Voicings of Seventh Chords
- Ear Training: Hearing Seventh Chords
- The “Secret World” of Music
- Functional Harmony
- The Concept of Relative Minor
- Analysis of a Fictional Song
- Sixth Chords
- More Advanced Melodic Approaches
- Creating Melodies Using Chord Notes
- Seeing Scales as Chords
- Seeing Every Note Harmonically (The Essence of Music Theory)
- Scale Modes and Why They’re Going on the Shelf
- Expanding Our Voicing Options
- Open Position Chords
- Left Hand Grip Patterns of Triads
- Applying Left Hand Grip Patterns (incl. 7 Chords)
- Adding the Right Hand
- Playing Bass Grooves
- Expanding Our Voicing Options
- Becoming a Versatile Keyboard Player
- Decoupling Within One Hand
- Comping a Soloist Alone
- Comping a Soloist in a Band
- Playing a Solo Piece Alone
- The Myth of Hearing Chord Progressions
- Rhythmic Notation
- Recognizing Rhythmic Patterns
- Writing and Reading Rhythms in the Simplest Way
- Basic Pitch Notation
- Accidentals and Rhythms on the Staff
- Hearing Rhythmic Elements
- More Advanced & Versatile Piano Playing
- Scaling with 3-4-5 Fingers
- Music Notation Types and What They Don’t Contain
- Playing from a Rhythm Chart
- Playing Solo – Constructing Voicings
- The Blues Scale(s)
- The Swing & Shuffle Rhythmical Concept
- Soulful Phrasing of Bluesy Melodies
- Blending Major & Minor-Blues Scales
- Harmonic Bluesy Concepts
- Useful Keyboard Sounds in Worship
- Operating Principles of Different Keyboards
- Shaping Sounds – ADSR
- Coloring Sounds – Filter
- Adjusting Reverb and Delay Effects
- Using Layered Sounds
- Applying Everything in a Live Arrangement
- DEEP PRACTICE
- DEEP PRACTICE
List of Lessons
The list below is an abbreviated overview of the content covered in Semester 1. There are additional Practice, Ear Training and Quiz blocks, where we apply the material learned.
(Total Running Time: 7 hrs & 56 min)
- Your Vocal Instrument (Simple Anatomy)
- Introduction to Vocal Registers
- Posture
- Breathing Fundamentals
- Intro to Solfege
- Solfege Applied to the Voice
- Your “Before” Picture
- VOCAL HEALTH – 3 Simple Things You Can Apply Right Now
- Goal: One Unified Voice
- Identifying Your Chest Voice
- Identifying Your Head Voice
- Identifying Your Mixed Voice
- Placement
- Introducing Lip Trills
- Introducing Tongue Trills
- Opening Up Our Facial Muscles
- Basic Rhythm: Quarter Notes & 8th Notes
- Support (The Engine of Our Sound)
- Open Throat Technique
- Introduction to Vowels and Vowel Modification
- Narrowing the Vocal Tract
- The Musical ABCs
- Sharps & Flats: The “In-between” Notes
- VOCAL HEALTH – Steaming
- Belly Breathing Isolation (Book Exercise)
- Introduction to Phrasing
- Tone / Timbre
- Same Phrase with Different Tones
- Introducing the Ga-Ga Exercise
- EAR TRAINING: Hearing the Major Scale
- Basic Rhythms in a Drum Groove (1/4 & 1/8)
- Introduction to Eliminating Breaks
- Introducing Nay-Nay & N-Ga Exercises
- The Minor Scale (Relative Minor)
- VOCAL HEALTH – Physical Exercise
- QUIZ: Basic Music Theory
- Bringing it to the Side & the Back
- PRACTICE: The Tire Method
- 16th Note Rhythms
- Introduction to Vibrato
- EAR TRAINING: Hearing the Minor Scale
- Minor Scalar Patterns with Solfege
- Sneak Breaths
- Time Signatures (a.k.a. Meters): 4/4, 3/4 and 6/8
- EAR / QUIZ: Identify the Meter
- More Articulations (Glide up, Fall off, Fry into a note, dips)
- MINDSET #1: Lean Back into Preparation / Be Courageous / Celebrate Mistakes
- Major Scalar Patterns in Different Meters (4/4 & 6/8)
- EAR / QUIZ: 16th Note Hi-Hat Opening
- The Concept of Intervals
- Major / Minor Triads & How to Hear Them
- Arpeggiate the Chord You’re Hearing
- Dynamics (Crescendo & Decrescendo)
- PRACTICE: Lip Trills w Major Arpeggios
- PRACTICE: AH & OH Vowel Mods w Major Arpeggios
- Combining Our Breathing Approaches in a Song
- PRACTICE: Sneak & Full Breaths in a Song
- Building Chords from Do through La
- The Problem with Ti
- PRACTICE: Arpeggios with Solfege
- Delineation / Intro to Runs
- VOCAL HEALTH – The Diet of a Singer
- Blending Fundamentals (Unison)
- Introduction to Styles / Genres
- MINDSET #2: Awareness
- Controlling Vibrato
- The Musical Number System
- Solfege Arpeggios in the Number System
- Reminder of the Value of Breath (Chair Method)
- How to Hear a Simple Chord Progression
- EAR/QUIZ: Practice Hearing Chords in a Key
- Performing on a Stage
- Reading a Chord Progression Using ABCs
- More Exercises and Warm-ups (Si-i-ing, Fry & Pulse Breath)
- Introduction to “Intelligent” Harmonizing
- MINDSET #3: Freedom
- Introduction to Mic Technique (Stage)
- What to Put in Your Monitor Mix
- Syncopated Phrasing
- Leading on Stage with Hand Signals
- The Pentatonic Scale (Major & Minor)
- Simple Pentatonic Runs
- How to Structure a Vocal Map
- Alternate Song Endings with the Number System
- The Singer’s Warm-up Toolbag
- Your “After” Picture
(Total Running Time: 8 hrs & 26 min)
- Applying Semester 1 in a Song
- How to Identify the Key and the Vocal Range of the Song
- Hold Me In Your Arms – Verses
- Hold Me In Your Arms – Pre-Choruses
- Hold Me In Your Arms – Choruses
- The Arch of the Message in the Arrangement
- Refining Our Technique
- Compression in Breath Support
- Breathing with a Balloon
- Elephant Ears
- Extreme Posture Exercise: Hands Behind the Back
- Cord Closure & Depth of Cord
- Singing Staccato
- Thinning Out Your Sound (Trumpet & NG Exercises)
- The Minor 7 & Major 7 Intervals
- The Major 7 Chord
- The Minor 7 Chord
- The Dominant 7 Chord
- The Half-Diminished Chord
- Chord Symbols for “7 Chords”
- Ear Training: Hearing “7 Intervals” and “7 Chords”
- More Challenging Exercises Using “7 Chords”
- “7 Chords” in the Number System
- “7 Chords” in the Key of G (Example)
- Vocal Health – Use Your Inside Voice
- Articulation / Tongue Twister
- Breathing While Running in Place
- Belting Resonance
- Mindset: Don’t Sweat the Technique
- Rhythm Notation Bootcamp
- Basic Rhythmic Notation
- Dotted Rhythms and Ties
- Triplets
- Swing Feel
- Adding New Tension to Our Chords
- Understanding sus2 and sus4 Chords
- Where sus2 Chords Fit in the Number System
- Reaching Beyond the Octave – The add9 Chord
- Ear Training: How to Hear sus2, sus4 and add9 Chords
- Vocal Exercises with sus2, sus4 and add9 Arpeggios
- The 6ths and Complementary Intervals
- “6 Chords” and How They Fit in a Key
- Ear Training: Hearing 6th Intervals and “6 Chords”
- “She loves you, Yeah-Yeah-Yeah-Yeah”
- Vocal Attitude
- Vocal Health – The Singer’s Lifestyle
- A Deeper Understanding of Pentatonics
- A Quick Refresher on the Major & Minor Pentatonic Scales
- Pentatonics as Chord Substitutions
- Major Pentatonic over I – IV – V
- Minor Pentatonic over VI – II – III
- Pentatonics over Guest Chords
- Breaking the Rules: Minor Pentatonic over Major or Power Chord
- Vocal Style #1 – Your Culture & History
- Vocal Style #2 – Tone in Gospel, R&B and Jazz
- Vocal Style #3 – Tone in Rock & Indie
- Vocal Style #4 – Tone in Country & Pop
- Vocal Style #5 – Tone in Broadway & Classical
- Vocal Style #6 – Runs, Phrasing & Vibrato in Gospel, R&B and Jazz
- Vocal Style #7 – Runs, Phrasing & Vibrato in Rock & Indie
- Vocal Style #8 – Runs, Phrasing & Vibrato in Country & Pop
- Vocal Style #9 – Runs, Phrasing & Vibrato in Broadway & Classical
- Mindset: Leadership
- Vocal Workout Bootcamp
- The Rossini Scale (Arpeggio)
- Minor Pentatonic Run Starting on Do
- Extended Dominant 7 Arpeggio variation with Nay-Nay
- Singing a sus4 in a Harmony (Resolved)
- Singing a sus2 in a Harmony (Unresolved)
- Combining sus2 & maj7 (OOH)
- m7(b5) Arpeggio (GA-GA)
- Combining Pentatonics & maj7 (I’m Free)
- Extended Half-Diminished Arpeggio (I see)
- Applying Semester 2 to Lead & Ad Libs in a Song
- The Chromatic Scale
- I Love Your Name – Verses
- I Love Your Name – Pre-Chorus
- I Love Your Name – Choruses
- I Love Your Name – Bridge
- I Love Your Name – Ad Libs (Bridge)
- I Love Your Name – Ad Libs (Chorus)
- Applying Semester 2 to BGVs in a Song
- I Love Your Name – Verses
- I Love Your Name – Pre-Chorus
- I Love Your Name – Choruses
- I Love Your Name – Bridge
List of Lessons
The list below is an abbreviated overview of the content covered in the included Intro Course and Semester 1. There are additional Practice, Ear Training and Quiz blocks, where we apply the material learned.
(Total Running Time: 2 hrs & 33 min)
- Parts of the Guitar
- Left Hand Basics
- Right Hand Basics
- How to Tune
- 4-Finger Warm-up Exercise
- 4-finger Practice – Levels 1-3
- Your First Chord
- Basic Strumming
- Let’s Add Another Chord
- Strumming Practice – Levels 1-3
- Our Next Chord(s)
- Pickups and Multiplying Chords
- Parts of the Song
- Song – Levels 1-3
- “No One” – Performed with a Singer
- Introduction & Verse
- Pre-Chorus
- Chorus
- Practice
- “Don’t Stop Believing” – Song Performance
- Introduction & Verse
- Pre-Chorus
- Chorus
- Bridge
- Practice
- “Rejoice” – Song Performance
(Total Running Time: 8 hrs & 25 min)
- Foundations for Versatile Rhythm Guitar
- Basic Chord Vocabulary: The 5 Major Chord Shapes
- Basic Chord Vocabulary: The 3 Minor Chord Shapes
- Basic Chord Vocabulary: The 5 “Over 3” Chord Shapes
- Layered 16th Note Strumming
- Strumming Example
- Switching Chords
- PRACTICE: Strumming Levels 1-3
- A Strumming Pattern is a Drum Beat
- Navigating Notes on the Neck
- Musical ABCs on the Guitar
- Sharps, Flats, and Chord Names
- Shortcuts to Finding Notes
- Finding all “E”s, “A”s and “B”s on the Guitar
- PRACTICE: The E-A-B Jam
- New Examples of Layered Strumming
- Understanding Scales
- Introduction to Solfege
- Simple Solfege on the Guitar
- The Major Scale
- Articulations – Expressing Yourself
- PRACTICE: Articulations – Major Scale
- EAR: Hearing Notes in the Major Scale
- PRACTICE: Improvisation – Major Scale
- Rhythm Guitar Dynamics and Textures
- Palm-muting and Power Chords
- Palm-muted Power Chord Riff
- Introduction to Fingerstyle
- Basic Fingerstyle Patterns
- Varying Dynamics in a Song
- PRACTICE:Â Dynamic Rhythm Playing
- Extending our Lead Range and Options
- The Minor Scale
- EAR: Hearing Notes in the Minor Scale
- Connecting the Minor & Major Scales
- The Minor Pentatonic Scale
- Introduction to String Bending
- Bending Exercise
- More on Lead Guitar Concepts
- PRACTICE:Â Improvisation – Minor and Major Scales
- Understanding Chords
- The Concept of Intervals
- Minor 2nd to Major 3rd on the Neck
- Perfect 5th and Octave on the Neck
- Major and Minor Triads
- Analyzing Major & Minor Chord Shapes
- Intervals & Triads
- How Chords Fit Together in Any Key
- Breaking Down Major & Minor 3rds to Steps
- Building chords from Do through La
- What’s the Problem with Ti?
- Chords in the Key of G
- The Musical Number System
- EAR:Â Hearing the Difference Between Major & Minor Chords
- Extending our Rhythm Guitar range and options
- The Barre Technique Explained
- The 5 Major Barre Shapes
- Flipping the G Chord in All 5 Shapes
- Introduction to the CAGED System
- The 3 Minor Barre Shapes
- Percussive Strumming with Barre Chords
- Switching Barre Chords
- More Keys for More Options
- Chords in the Keys of D & E
- How to Capo with G, D, or E Shapes
- The Actual Names of Capoed Chords
- PRACTICE: Number System in the Keys of D & E
- Further Expanding our Range for Soloing
- The Dorian Scale
- Minor to Major to Dorian Connection
- The 134 Diagonal Connection
- The Phrygian Scale
- The 124 Diagonal Connection
- Pedal Point and the Monster Scale Exercise
- Improvisation and the Monster Scale Exercise
- Rounding Things Out
- Applying the Scales in Any Key
- Over 3 Chords Barred
- The Number System with Barre or Power Chords
- PRACTICE:Â Key of G – Rhythm Guitar in G, D and E shapes
- PRACTICE: Key of A – Rhythm Guitar in G, D and E shapes
- PRACTICE:Â Key of EÂ – Rhythm Guitar in G, D and E shapes
- PRACTICE:Â Key of G – Lead Guitar
- PRACTICE: Key of A – Lead Guitar
- PRACTICE: Key of E – Lead Guitar
- Recognize Scales in any Key!
(Total Running Time: 10 hrs & 19 min)
- Extending chords with scale notes & open voicings
- The “cover concept” with E, A, D, and C chords
- The outside octave approach with G
- The “cover 2” concept over D2, A2, and Em
- Combining “cover 2” over 3 chords in a key
- PRAC: Combining open concepts
- Finishing out the Modes
- The Lydian scale
- The Mixolydian scale
- Connecting Phrygian – Lydian – Mixolydian – Minor
- The Locrian Scale
- Connecting all 7 Modes
- Understanding “7 chords”
- The minor 7 and major 7 intervals
- The minor, major, and dominant 7 chords
- The m7(b5) a.k.a. half-diminished chord
- Common chord symbols for “7 chords”
- How “7 chords” fit in a Key
- “7 chords in the Number System”
- “7 chords” in the Key of G, D, and E
- Introduction to voice leading, passing chords and tasteful chord choices
- Flipping Major 7 and Dominant 7 in all 5 shapes (CAGED)
- Flipping Minor 7 and Half-diminished in all 3 shapes
- Barred “7 chords” in a Key (no capo)
- Keys of C and A (Numbers / Capo / 7s)
- Open C and Am7 chord movements
- PRAC: The Number System in all 5 key-shapes
- QUIZ: The Number System in the Keys of C and A
- More musical note choices / melodic playing
- Mastering Solfege notes inside our scales
- Visualizing chords inside the Phrygian and Minor scales
- Chord inversions
- Hearing chords and chord notes with Solfege
- Melodic playing applications
- Adding new tension to our chords
- Understanding sus2 and sus4 chords
- Where “sus” chords fit in the Number System
- So, what’s an add9 chord?
- Common add9 chord shapes
- Practical uses of “sus” and add9 chords
- PRAC: Create your own “sus” and add9 variations in a chord progression
- Understanding the Pentatonic Scale and all of its positions
- The Minor Pentatonic Scale and its neighbors
- The Dorian and Phrygian Pentatonic
- Connecting all 5 Pentatonic positions
- The Blues Scale – Introduction to passing notes
- Soulful Phrasing – Part 1 (Riff)
- Soulful Phrasing – Part 2 (Blue Note & Friends)
- Soulful Phrasing – Part 3 (Manipulating Time)
- PRAC: Pentatonic Jam
- The Rhythm Notation Bootcamp
- PRAC: Reading with dots and ties
- PRAC: Reading with Triplets
- Scale Patterns in Different Subdivisions
- Meters
- 6/8 Strumming patterns
- Adding Melodies to Chords + New Rhythm Guitar Textures
- Scale / Chord Visualization in the Keys of G, D, C, A, and E
- A Deeper Look at Melodic Fingerstyle
- Tap Harmonics for Chords
- Percussive Octaves – Rhythm or Lead?
- PRAC: New Fingerstyle and Rhythm Guitar colors
- A Deeper Understanding of Pentatonics
- Pentatonics as Chord Substitutions
- Pentatonics Superimposed Over the Modes
- Pentatonics over chord changes
- CAGED and Pentatonics – Introduction
- “Guest Chords” and Pentatonics
- Filling in the Final Diatonic Blanks in the First Octave
- The 6s and the concept of Complementary Intervals
- Major and Minor 6 Chord Shapes
- Where “6” Chords Fit in the Number System
- A Hint at Quartal Harmony – the 6/9 Chord
- The “Gospel 4/6” Suspension
- “Open 6” Voicings in Rhythm and Lead
- PRAC: Moving 6s in Chords & Scales
- Blending Rhythm & Lead – Rounding Things Out
- Lead with a Rhythm Mindset
- Double Stops
- The “Hendrix Crash Course” E, A, and D Roots
- Adding Vibrato to a Bend
- Using a Whammy Bar
- The “Hendrix Chord”
- Putting It All Together
- PRAC: Colorful Rhythm Playing
- How to Harmonize “Intelligently” with a Melody
List of Lessons
The list below is an abbreviated overview of the content covered in each week. There are additional Practice, Ear Training and Quiz blocks, applying the material learned.Â
(Total Running Time: 6 hrs & 39 min)
- Basic Technique, Navigation & Theory
- The Names of the Strings & Understanding Half Steps
- Right Hand Technique Basics (Plucking)
- Left Hand Technique Basics (Fretting)
- The 4-finger Warm-up Exercise
- Why do we need Music Theory?
- The Musical ABCs (System #1) & Whole/Half Steps
- Navigating the Neck (Shortcuts)
- How to Tune Your Bass
- Instrument Setup & Control Basics
- Simple Rhythms & Playing in the Pocket
- Understanding Basic Rhythms (1/4 & 1/8 Notes in a 4/4 Measure)
- How to Read a Simple Chord Chart
- 1-8 (Octave) Patterns to Add Variety
- 1-5 and 1-5-8 Patterns
- Locking In with Your Drummer
- Learning Our First Scale
- Sharps & Flats: The “In-between” Notes
- Solfege & The Major Scale
- The Major Scale on the Bass
- Muting for a Clean Sound
- Hearing Notes in the Major Scale
- Varying Note Length & Articulation (Expressive Playing)
- Introduction to Intervals & Triads (Chords)
- Intervals
- b2 to 3 on same and next strings
- Major & Minor Triads
- Major & Minor Triad Exercises
- Triad Exercise Applied to a Chord Progression
- Seeing Intervals & Triads on the Neck
- Extending Our Melodic Range and Options
- The Minor Scale & the Concept of Relative Minor
- Hearing Notes in the Minor Scale
- The Minor Pentatonic Scale
- Connecting the Major and Minor Scales
- Concepts for Improvisation
- What Key are These Scales in?
- How Chords Fit Together in Any Key
- Breaking Down Major & Minor 3rds to “Steps”
- Building chords from Do through La
- What’s the problem with Ti?
- Hearing the Difference Between Major & Minor Chords
- Chords in the Key of G
- The Musical Number System
- The Number System in the Key of G
- Dynamics, Textures & More Rhythmic Options
- Understanding 16th Notes
- Playing to 16th Note-based Drum Grooves
- The Bass Player’s Toolbag #1 – Dynamics & Register
- The Bass Player’s Toolbag #2 – Double Stops & Playing with your Thumb
- The Bass Player’s Toolbag #3 – Palm-muting & Playing with a Pick
- The Bass Player’s Toolbag #4 – Controls, Swells, Plucking Position & Slap Bass Preview
- 16th-note-based Drum Grooves
- 16th-note-based Scalar Exercise
- Arpeggio Exercise: 16th Notes & the Number System
- Further Expanding Our Melodic Range
- Dorian Scale
- Connecting Minor-Major-Dorian
- 134 & 124 Diagonal Connections
- Phrygian Scale
- Connect Minor-Major-Dorian-Phrygian
- Introduction to Pedal Points (Open String Example)
- The Monster Scale Exercise
- Different Meters & Developing Technique
- Understanding Time Signatures (Meters)
- Playing in a 3/4 Meter
- Playing in a 6/8 Meter
- Chop Shop: Build Your Technique (Part 1 – Single String)
- Chop Shop: Build Your Technique (Part 2 – String Crossing)
- Chop Shop: Build Your Technique (Part 3 – String Skipping)
- What Meter is this Drum Groove in?
- Playing in Any Key / Transposing
- The Concept of Transposing / Key Change
- Key Changes & Creative Choices
- Modified Chords in the Number System
- Dealing with “Weird Keys”
- Understanding Triplets
- Triplet-based Scalar Exercise
- Triplet-based Arpeggio Exercise
- Swing Feel / Shuffle
- A Deeper Pocket (Part 1): Ghost Notes & Chromaticism
- A Deeper Pocket (Part 2): Percussive Slaps
- 12-Bar Blues with a Swing Feel
- Deep Practice of Harmonies
- Scale Notes Surrounding Triads
- Changing Keys using the V of the New Key
- Breaking Down a More Complex Arrangement
- Deep Practice – Scales / Melodies
- Improvising with Our 4 Scales
- Visualizing the Whole Neck
- Seeing the Chord Inside the Scale (Harmonic Intelligence)
- Full Range Improvisation
(Total Running Time: 8 hrs & 25 min)
- Dissecting the Audition Song
- Audition Song – The Intro /Â Interlude / The Outro
- Audition Song – Verses
- Audition Song – Choruses
- Simple Charts & Musical Note-taking
- Understanding “7 Chords”
- The Minor 7 and Major 7 Intervals
- The Minor 7 Chord
- The Major 7 Chord
- The Dominant 7 Chord
- The Half-Diminished Chord
- Chord Symbols for “7 Chords”
- Ear Training: Hearing “7 Intervals” and “7 Chords”
- “7 Chords” in the Number System
- “7 Chords” in the Key of G & Key of C
- “7 Chords” as Tension Notes
- Registers, Shifting & Emotion
- Finishing out the Modes (Diatonic Scales)
- The Lydian Scale
- The Mixolydian Scale
- Connecting Phrygian – Lydian – Mixolydian – Minor
- The Locrian Scale
- Connecting all 7 Modes
- Creativity with Scale Patterns
- Scale Pattern 1-3
- Musical Application of Different Patterns
- Adding New Tension to Our Chords
- Hovering Around the 3rd (2nd & 4th Intervals)
- Understanding sus2 & sus4 Chords
- Double Stops & Bass Lines with sus2 and sus4
- sus2 and sus4 in the Number System
- The add9 Chord
- How to Hear sus2, sus4 and add9 Chords
- A Fun “sus” Groove Idea
- Refining our Technique, Dynamics & Note Choices
- Economy of Motion
- Bass Lines Using Chord Inversions
- A Deeper Dive Into Dynamics
- It’s SLAP Week!
- The Fundamental Thumb Technique (Slap)
- The Fundamental Finger Technique (Pop)
- Slap Patterns 1-5
- Visualizing the Minor and Major 6 Intervals
- Complementary Intervals
- The Major 6 & Minor 6 Chords
- Ear Training: Hearing Minor and Major 6 Intervals & Chords
- “6 Chords” in the Number System
- A Verse-Chorus Idea with 6s
- Pentatonics & Tasteful Fills
- Reviewing the Minor Pentatonic Scale
- The 2 Neighbors: Mixolydian & Major Pentatonic
- Connecting Mixolydian, Minor & Major Pentatonic
- Dorian & Phrygian Pentatonic
- Connecting all 5 Pentatonic Scales
- Pentatonics as Chord Substitutions
- Creative Bass Lines Using Pentatonics
- The Rhythm Notation Bootcamp
- Basic Rhythmic Notation
- Dotted Rhythms and Ties
- Triplets
- 3-against-4 Pentatonic Patterns
- Playing Extended Range Basses
- Playing Fretless Basses
- Creativity with a Sustained Pedal Tone
- A Fun Scale Pattern & Arpeggio Combo
- Let’s Put It All Together In A Song!
- Verses
- Choruses
- Bridge
- The Rest of the Song
List of Lessons
The list below is an abbreviated overview of the content covered in each week. There are additional Practice blocks, applying the material learned. (Total Running Time: 2 hrs & 22 min)
- Getting To Know Your Instrument
- Setting Up Your Drumkit
- Hands – How to Hold Your Drumsticks
- Feet – Heel Up vs. Heel Down
- The Single Stroke Roll
- Using a Metronome
- Groove #1 Explained
- Drum Fills (a.k.a. Fill-ins)
- Fill #1 Explained
- Combining Groove #1 & Fill #1
- Adding a Crash
- Fill #2, Variations and Leaving Space
- The Double Stroke Roll
- Groove #2
- The Cross Stick Technique
- Combining Grooves #1 & #2
- Left Foot Control
- Combining Grooves
- Meet the Ride Cymbal + Other Riding Voices
- Open Hi Hat Accents
- Groove #3, Some Silliness, Plus a Hint of Music Theory
- Groove #3 (Every Breath)
- Song Play-through
(Total Running Time: 8 hrs & 7 min)
- Building a 360 Foundation
- Control Grip & Heel Up / Heel Down Review
- Taking the Single Stroke Roll to the Next Level
- Intro to Music Theory – The Note Value Tree
- Time Signature Basics
- 1/4 Note Grooves
- Quarter Note Fills
- Linear Quarter Note Improvisation
- Four-Limb Independence – Quarter Note Focus
- The Basics of Tuning Your Drums
- LICK OF THE WEEK 1
- Taking the Double Stroke Roll to the Next Level
- The Moeller Technique
- Doubles Accenting 2nd Stroke
- Single-Line 8th Note Reading
- Dynamic Control
- Snare Wire Tension
- LICK OF THE WEEK 2
- Creativity with 8th Notes
- Singles/Doubles Warm Up
- 3-part Reading for Grooves
- 8th Note Grooves
- 8th note fills – Introduction & concepts
- 8th Note Improvisation
- Four-Limb Independence – 8th Note Focus
- LICK OF THE WEEK 3
- 8th Note Triplets & Rests
- 8th Note Triplet Reading
- Singles Performed as 8th Note Triplets
- Doubles performed as 8th note triplets
- 8th Note Triplet Improvisation
- Four-Limb Independence – 8th Note Triplet Focus
- LICK OF THE WEEK 4
- The Drummer’s Toolbag
- Making Things Swing!
- Swung 8th Note Pulse (The Shuffle)
- Swung 8th Note Grooves
- Triplet & Swung Fills – Introduction & Concepts
- How To Get Your Snare Sound #1 – Changing the Batter Head
- How To Get Your Snare Sound #2 – Tuning the Resonant Head
- How To Get Your Snare Sound #3 – Tuning the Batter Head
- LICK OF THE WEEK 5
- 16th Notes, Rests & “16th Note Shapes”
- 16th note reading
- One-Handed 16th Note Grooves
- Two-Handed 16th Note Grooves
- LICK OF THE WEEK 6
- Introduction to the Paradiddle
- Singles / Doubles / Paradiddle Warm-up
- Paradiddle Fills
- My First 16th Note Fill (Singles)
- More 16th Note Fills (Doubles)
- 16th Note Improvisation
- LICK OF THE WEEK 7
- Paradiddle Creativity
- Review of Note Values, Rests & Counting
- Paradiddle as 8th Note Triplets
- 16th Note Paradiddle Grooves
- Four-Limb Independence – Paradiddle Focus
- LICK OF THE WEEK 8
- Inverted Paradiddle
- Singles / Doubles / Paradiddle / Inverted Paradiddle Warm-up
- Inverted Paradiddle Fills
- 16th Note Inverted Paradiddle Groove
- Four-Limb Independence – Inverted Paradiddle Focus
- LICK OF THE WEEK 9
- Open Hi Hats in 16th Note Grooves
- Introducing Flams
- Nirvana Flams
- 6/8 – Compound time signatures
- 6/8 Grooves
- 6/8 Fills
- LICK OF THE WEEK 10
- Linear Triplet Patterns
- 16th note triplets
- Hand to Foot Triplets
- Introduction to Polyrhythms (3 against 2)
- Dotted note values (& ties)
- LICK OF THE WEEK 11
- Whole Notes & Half Notes
- Full Time vs Half Time
- Half Time Shuffle
- 16th Note Shape Fills & Improvisation
- LICK OF THE WEEK 12
- The Slide Technique
- Hand To Foot Doubles (16th notes)
- Syncopated Grooves – 8th Note Riding
- Syncopated Grooves – 16th Note Riding
- LICK OF THE WEEK 13
(Total Running Time: 7 hrs & 46 min)
- Understanding & Using Ghost Notes
- Ghost Note Patterns 1-4
- Bass Drum Reading 1
- Introduction to 32nd Notes
- The 5-Stroke Roll
- LICK OF THE WEEK 1
- Riding Patterns & Floor Tom Accents
- Riding Patterns 1-3
- Bass Drum Reading 2
- Floor Tom Accenting
- Floor Tom Accenting Grooves in 4/4
- 7-Stroke Roll
- LICK OF THE WEEK 2
- More Freedom & Creativity with Multiple Riding Patterns
- Riding Patterns 4-6
- 9-Stroke Roll
- 5-7-9-Stroke Roll Workout
- Floor Tom Accenting Grooves in 6/8
- LICK OF THE WEEK 3
- Paradiddle Accenting 1: The Downbeat (Recap)
- Paradiddle Accenting 2: The E
- Paradiddle Accenting 3: The &
- Paradiddle Accenting 4: The A
- Paradiddle Accenting Combination
- Paradiddle Accenting in Fills + Mix It Up!
- LICK OF THE WEEK 4
- Exploring The Double Paradiddle
- Double Paradiddle Groove in 4/4
- Double Paradiddle Groove in 6/8
- Double Paradiddle Fills
- The Double Paradiddle in a 6/8 Song
- Hand-To-Foot Doubles (Triplet Focus)
- Exploring Double Paradiddle Accenting
- LICK OF THE WEEK 5
- Flam Taps
- Flam Accent
- Flam Accent Groove
- Flam Accent Fills
- Different Snare Drums
- LICK OF THE WEEK 6
- Introduction to Drum Charts
- Drum Chart Components & Navigation
- Reading a Drum Chart (90 BPM & 115 BPM)
- Bass Drum Reading 3
- Cross-stick Ghost Note Groove
- LICK OF THE WEEK 7
- Review of Note Values & Articulations
- Mixed Subdivision Reading Supplement
- Exercise: Cycle Through the Subdivisions
- Rudimental Review
- Developing Creativity with Riding Patterns
- LICK OF THE WEEK 8
- Musicality with 32nd Note Doubles
- Introducing The Buzz/Press Roll
- Controlled 32nd Note Buzz Rolls in 4/4
- Controlled 32nd Note Buzz Rolls in 6/8
- Unison Singles
- LICK OF THE WEEK 9
- Ghost Note Applications to The Shuffle
- Triplet Ghost Note Patterns 1-3
- Half-Time Shuffle Application
- 6s Method
- Fills Using the 6s Method
- Different Cymbals
- LICK OF THE WEEK 10
- How to Transcribe
- Triple Paradiddle
- The Triple Paradiddle as a Groove
- 9s with the Triple Paradiddle & 12/8 Time
- Triple Paradiddle Fills
- Brushes, Rods & Mallets
- LICK OF THE WEEK 11
- Further Linear Control
- More Hand-to-Foot Singles
- 50 Ways (Steve Gadd Groove)
- Rim Groove
- More Single & Inverted Paradiddle Grooves
- Combo Riding Patterns
- Dynamic Markings
- LICK OF THE WEEK 12
- The Swiss Army Triplet
- Soul Vaccination (Dave Garibaldi Groove)
- Swiss Army Triplet Fills
- Thoughts on Odd Time Signatures
- Basic 7/8 Grooves
- Fills in 7/8
- LICK OF THE WEEK 13